慶應義塾大学アート・センター　Keio University Art Center

Preface

• Introduction [Masato NAITO]

Annual Report 2023/24

Exhibitions

• Exhibitions in 2023
• Introduction to Art Archive XXV: A Passion for Kabuki: The Tanabe Collection of the Magazine, Yakusha
• Artist Voice III Tetsuro Komai: Etched Lines, Unleashed Strokes

Events

• Keio University Freshman Event 2023 : Mitsuyo Uesugi Butoh Performance “Life”
• Object-Based Learning Workshop: Encountering Art through Objects
• ART WEEK TOKYO
• Keio University Mita Campus Architecture Open Day
• The Social World of Butoh Dance: Screening an Unseen Performance from the 1970s
• Takiguchi Shuzo 120th Anniversary Exhibition Memorial Symposium: Shuzo Takiguchi Research Group Special Meeting ── Papier plié 01: Making a tableau of the hinge(like a music scale or a book......)
• Ambarvalia XIII: Everything is a Joke in the World of Junzaburo Nishiwaki... and Basho... and Baudelaire?
• The 38th Anniversary of Hijikata Tatsumi's Death: Talking together about Hijikata Tatsumi
• Exploring Avant-Garde Theatre Vol.1: Research Screening of Kazuo Ohno's Butoh Performance,“Admiring La Argentina”

Archives

• Art Archives

Courses

• Colloquium: Archival Research / Seminar: Archival Research
• Entertainment Communications I / Entertainment Communications II

Studies
    Projects

• FY2023 Agency for Cultural Affairs Innovate MUSEUM Project:“Fostering Inclusive Communities by Employing Diverse Regional Cultural Resources: Enhancing Museum Capabilities through Practical Implementation and Model Building”
• Minato City Promotion Crew Project: Producing Content for“Student-Guided Contemporary Art in Minato City”
• Support Program to Promote Archives of Media Arts 2023“Digitizing and Cataloging of Performance and Exhibition Video Records from the post-1970s”

    Research

• mandala musica
• Junzaburo Nishiwaki Research Seminar
• Reseach Group on Morphology of Archives
• Shuzo Takiguchi Research Group
• Portfolio BUTOH

Research

• Documentation and Registration of the Arts Collection of Keio University

Records and Data

• Reports of Activities
• Educational and Research Performance of Members
• New Acquisitions
• Loans
• Publications
• Books Data Statistics
• Meetings
• Personal Affairs
• Staff
• English Introductions to KUAC
• Rules

Bulletin 2023

• Interview with Tatsuo Kawaguchi: On Tokyo Biennale 1970, Between Man and Matter [Yohko WATANABE]
• Ry ̄uo ̄tei Edo no Hananari(Mo ̄ri Narimoto)seen through the collection at the Shimane Art Museum: with a focus on Hokkei's Haikaikaba shinshitsubiraki 俳諧歌場新室開 and Horie Y ̄usei's Gagyo ̄ shugyo ̄ keinen ryakuki 画業修行経年略記 [Mayumi TSUDA]
• Taxidermy in Contemporary Art(6): Maurizio Cattelan's Animal Works - Intersecting Reality and Actuality [Midori MORIYAMA]
• Shūzō Takiguchi's“Handmade Brochures”and Archive 1: on The Marginal Serpent: 7 [Hitoshi KUBO]
• The Relationship Between Michelangelo's Sculptural Technique and Viewpoint: Focusing on Atlas [Shinsuke NIIKURA]