慶應義塾大学アート・センター　Keio University Art Center

【Contents】

Preface（Hayato KOSUGE）

Introduction（Satoko TOKUNAGA）

1 Sakutaro Hagiwara vs. Junzaburo Nishiwaki（Kiwao NOMURA)
  Masato Kobayashi: the "form"and "place" of "paintings" (Toru SUGIMOTO)
  About the cultural meaning of debris (disaster-affected objects) (Hiuma KURIHARA)

2 One more "masterpiece": The potential of a "place," Maruki Gallery for the Hiroshima Panels（Ryosuke HISAMURA）
  A way of exhibiting the diverse things from Shuzo Takiguchi's Collection in the museum (Maiko HARA)

3 Art Brut and the Market: An "antimorphist" perspective on value（Takami MATSUDA）
  About the cultural meaning of debris (disaster-affected objects) (Hayato KOSUGE)

4 A neuroaesthetic essay on shape/form/morph, with reference to aesthetic representation as an internal model （Kyoko NAKANISHI）
  The modern garden as interface: On the perspectives opend up by plants (Naha KANIE)

5 Literature overview / Biography

6 Abstracts